Graphite and collage on plywood board
20” x 30”

According to the Roman legend, Minerva was born when she sprang out of her father Jupiter’s head, apparently clad in armour and fully armed, suggesting that she was either ready to do battle with the god that had raped her mother or she was wise enough to come fully prepared for whatever any of the Roman gods had in mind for her.
This, perhaps inevitably, led to her becoming the goddess of wisdom and warfare along with a few additional areas of expertise including poetry, medicine and weaving, the latter skill resulting in a challenge by a mortal girl named Arachne who, rather foolishly, considered her abilities at the wheel to be better than Minerva’s. The ensuing dual of tapestry creation culminated in Minerva declaring herself to be the winner (perhaps a little biased) and turning Arachne in to a spider by banging her on the head three times.

Minerva sits at number three in my Arts Heritage series and a 2nd century statue of Minerva depicts her wearing the same Corinthian style helmet that is now worn by Britannia, which struck me as being a nice visual representation of the evolving British independence that, nevertheless, was still still very much reliant on Rome during the 3rd century AD.

She’s not wearing a helmet in this piece of artwork but I like the idea of possibly doing a second version where she is… although I’ll have to find a decent photo of a Corinthian helmet to use as a reference.

Original Artwork : £290.00

And if you’d like to share that would be fab…


Ah, now you see we’ve been here before. I tried (again) to capture Brigantia and once again I failed.

The drawing here was based on a photograph of a model that, I think, looks very British, but having drawn her she doesn’t have that primitive Celtic distinction that I’m after. She struck me as being regal and aloof, traits that I think work much better for Britannia.

So, she’s now Britannia.

Who was number four in the Arts Heritage series and occupied a place on the twelve part timeline that seemed perfect to symbolise the Roman departure and the slowly forming identity that was the Britain of its indigenous people. Although the Romans had created a legacy that wasn’t going to disappear in a hurry, Britannia, who was associated by them with their own Victoria, goddess of victory, could now be claimed as Britain’s own, complete with trident and shield and sporting a very un-British Greek helmet (I’m no historian, but perhaps we didn’t have our own helmets back then).

At some point she managed to get lumbered with an equally un-British pet in the form of a lion but never mind, they looked good on a coin, which is where they happily stayed until they were unceremoniously removed in 2008 as part of a modernising upgrade. Britannia had actually appeared on Roman coins as far back as the first century but her appearance on British coins took until 1672, when she appeared on a farthing. The removal of the symbol of Britain caused a bit of a stir (at least amongst the British press) and with what appears to be a certain amount of relenting Britannia re-appeared on the new £2 coin released in 2015.

Not, I have to be honest, being terribly interested in coins I’m planning to try and evoke the spirit of what Britannia symbolised in those formative years, when Britain was being forged by waring tribes and invaders.

I’ll have to have another go at Brigantia when I’ve summoned the strength…

And if you’d like to share that would be fab…


Graphite and collage on plywood board
24” x 30”

As with all the artwork in this Spirits series I didn’t want the theme to be too obvious. The collage work is as much a spirit as the portrait (although I do have an idea for a second sea themed piece that I might make a little more distinctive).

The collage material I’ve used is undoubtedly sea related (full details in the gallery) and I’ve tried to use the paper to create a sense of the ocean. I thought it would be finish it off nicely if I used a frame made from reclaimed driftwood. I’ll see if I can mock up a sample of that and if anyone fancies giving me some feedback it would be most appreciated.

Original Artwork : £290.00

And if you’d like to share that would be fab…


First Gravestown piece finished.

I had originally intended to start this fine art journey with Gravestown, but the Pendle and Spirits of place idea came about and I got sidetracked, which is not unusual for me, so getting back to Emma has taken a bit of time.

During that period, my approach to the size of the pieces changed and they’ve become smaller. Which doesn’t mean I’m not going to do bigger ones at some point but for the moment I prefer to work at 22” x 32”, which is quite big anyway but not big enough for the original two Emmas. The second one will actually work on a piece of board I have in the studio that is only a bit bigger (23” x 33”) but it’s big enough, so that takes care of her. The first Emma is a different proposition altogether and needs a much bigger board so she’ll have to wait, plus I’m thinking of trying a different approach with that piece but more on that when I’ve thought it through.

Original Artwork : £290.00

And if you’d like to share that would be fab…